Photomontage discovered its voice in the course of the interwar years, due to the rebellious Dadaists.
Amongst them was John Heartfield, initially Helmut Herzfeld, who boldly adopted an English-sounding title to make a degree. Via his artwork, he fiercely critiqued the German authorities, utilizing photomontages to satirize politicians in absurd, thought-provoking methods. Heartfield’s works, crafted with scissors and glue, embraced imperfection, combining stark black-and-white imagery with surreal undertones that mirrored Magritte’s model. Even right this moment, his provocative montages encourage artists worldwide and have graced fashionable CD and guide covers, carrying his rebellious spirit into modern occasions.
h/t: vintag.es