Within the Nineteen Seventies, Creem journal ran a energetic collection referred to as *Stars Automobiles*, capturing rock stars posing with their beloved cars—an intimate, and infrequently absurdly entertaining, peek into their lives away from the highlight. It wasn’t simply in regards to the automobiles—it was in regards to the vibe, the aptitude, and the occasional over-the-top ridiculousness.
h/t: vintag.es
These snapshots weren’t polished photograph shoots. As an alternative, image rockers lounging in parking heaps or leaning casually towards their automobiles in suburban driveways, possibly holding a beer, at all times exuding confidence. With their platform boots, glittering sequins, glossy leather-based jackets, and iconic aviators, they flaunted muscle automobiles, limos, and even worn-out jalopies—every automobile a mirrored image of their persona.
Rooted in Detroit, the epicenter of American auto tradition, *Stars Automobiles* was greater than a tribute; it was a playful jab at movie star extra. It was a chunk of what made Creem journal distinctive—offbeat cultural commentary with a sly grin. The collection gave followers an opportunity to see the human facet of their idols, revealing moments that had been generally hilariously over-the-top.
